Extractive Seeing is a 5 year funded research project beginning in January 2027. We are researching the new paradigm of photography embedded in contemporary mobile phone cameras and promoted as “AI-assisted” since 2024. With the widespread daily use of mobile phone cameras, AI is rapidly transforming visual experience, being used to extract elements from existing images to compose new images or remove unwanted objects from scenes. This appears to reproduce the model of “seeing” of the AI models themselves, which are pre-trained to identify objects in image datasets, treating elements of an image as disposable and interchangeable. The process resembles the ways that material extraction treats nature and entities (including people) as resources to be used or disposed of, and existing research shows that current AI and digital photography are dependent on extractive practices for mineral resources as well as vast amounts of water and energy.
This research project examines the extractive image processing involved in AI image-making, asking what ways of seeing the world are being normalised via the integration of generative AI into mobile phone cameras. It examines both the technologies and their promotion in relation to resource extraction and trained ways of seeing. To locate precedents and understand the novelty of the ways of photographing that mobile phone companies are promoting, Extractive Seeing uses archival research into past methods and norms of amateur photography, and draws on philosophical aesthetics, ecology and art theory. Overall, it will characterize the modes of seeing being built into everyday photography, comprehending these in relation to historical practices and current environmental concerns. Extractive Seeing will develop an innovative, critical approach that extends beyond AI-assisted photography, to address the connections between the technical and material ways they construct images, and the ways of seeing they normalise.
Extractive Seeing is led by Professor Michelle Henning.
Michelle has been writing about photography, particularly in relation to its everyday uses, since the 1990s. Her most recent book is A Dirty History of Photography: Chemistry, Fog and Empire (University of Chicago Press 2026), which is an environmental and materialist history using the archives of the British photographic company Ilford Limited. Although its focus is on contemporary mobile phone photography, Extractive Seeing shares the same interest in questions of how photographic technologies shape perception and experience, and in their ecological role and environmental impact.
Further members of the research team are currently being appointed and will be announced in 2027.